The Influence of the
Decalogue: Historical,
Theological and Cultural Perspectives –
an Interdisciplinary
and International Conference
The Decalogue or the Ten Commandments (Exodus 20 and Deuteronomy 5) have constantly been
received, taught, and transformed over two and a half millennia, not only in
religious catechesis and exegetical interpretation, but also in art, music,
film, philosophy, and in the history of law. The two tablets of the law have
become a fundamental religious icon in both Judaism and Christianity. The
Decalogue certainly is one of the most intensely used texts in world history. The
first attempt to systematically investigate its fascinating history of
reception was made in an interdisciplinary conference organised by Dominik
Markl SJ in cooperation with Christine Joynes, Director of the Centre for
Reception History of the Bible, at Trinity College Oxford, 16–17 April 2012.
The conference was sponsored by Heythrop
College, University
of London and the Faculty of Theology
of the University
of Oxford. The papers of
the conference are planned to be published next year.
Seventeen
speakers from ten countries included Luciane Beduschi (Paris, music), David
Clines (Sheffield, Hebrew Bible), Gerhard Lauer (Göttingen, German literature),
Christopher Rowland (Oxford, New Testament), Randall Smith (Myser Fellow, Notre
Dame Center for Ethics and Culture, theology) and Steven Wilf (Connecticut,
law); international speakers enjoyed the hospitality of Campion Hall. They were
joined by thirty delegates including Michael Kirwan SJ (Heythrop, theology),
John Langan (Georgetown, philosophy) and Anthony
Swindell (Jersey, Bible and literature).
The
conference was concluded by a musical presentation of the Heythrop College
Consort at Jesus College Chapel (conducted by Joey Draycott and accompanied on
the organ by Daniel Chambers), performing settings to music of the Ten
Commandments by Tallis, Bach, Haydn, and von Neukomm.
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